تنظیمات دلخواه شما برای آمپ های مختلف

شروع موضوع توسط Honey_Shababi ‏18/8/12 در انجمن مشاوره خرید و مباحث فنی گیتار الکتریک

تاپیک تنظیمات دلخواه شما برای آمپ های مختلف تالار مشاوره خرید و مباحث فنی گیتار الکتریک در persian-music.org.

  1. Honey_Shababi

    Honey_Shababi عضو سایت هنرمند

    تاریخ عضویت:
    ‏19/12/09
    ارسال ها:
    271
    جنسیت:
    مرد
    محل سکونت:
    ایران
    امتیازات:
    +573 / 0 / -0
    نرم افزار:
    cubase, flstudio
    درود

    لطفا تنظیمات پیشنهادی آمپ های خودتون رو در این تاپیک به اشتراک بگذارید.

    با تشکر
     
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  2. siyasiya

    siyasiya عضو سایت

    تاریخ عضویت:
    ‏23/2/10
    ارسال ها:
    377
    محل سکونت:
    IRAN
    امتیازات:
    +318 / 0 / -0
    نرم افزار:
    cubase, flstudio, soundforge
    دوستان عزیز
    اول از هانی عزیز تشکر میکنم که به پیشنهاد من توجه کرد و این تاپیک رو ایجاد کرد. دوم هم امیدوارم که دوستان این تاپیک رو خوب فعال و عالی نگه دارن. چون فکر میکنم به درد همه ما بخوره.
    ---------------------------------

    برای شروع، من یکی از تنظیماتی رو که انجام دادم رو میزارم. با این تنظیمات میتونید صدایی شبیه گیتار الکتریک Jimi Hendrix یا بعضی آهنگهای Clapton رو داشته باشید.

    مدل آمپ : Marshall MG15fx
    کانال : Crunch
    Gain = 50%
    Bass = 25%
    Middle = 25%
    Treble = off
    Reverb = 50%
    Volume = 75%
    FX = Delay... with fast speed
     
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  3. jim root

    jim root عضو سایت

    تاریخ عضویت:
    ‏15/2/12
    ارسال ها:
    252
    محل سکونت:
    street
    امتیازات:
    +521 / 0 / -0
    نرم افزار:
    من تنظیمات کلی رو برا همه ی آمپ ها می گم برای صدای گیتار دایمبگ دارل:(همه ی تنظیمات رو از 10 حساب کنید)
    کلین:
    bass:6
    mid:4
    treble:8
    reverb:0
    gain:2

    دیست:
    bass:8
    mid:2
    treble:10
    reverb:0
    gain:10

     
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  4. siyasiya

    siyasiya عضو سایت

    تاریخ عضویت:
    ‏23/2/10
    ارسال ها:
    377
    محل سکونت:
    IRAN
    امتیازات:
    +318 / 0 / -0
    نرم افزار:
    cubase, flstudio, soundforge
    دوستان،
    لطفاً توی این تاپیک همکاری کنید، به دردمون میخوره والا
     
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  5. pmgholami

    pmgholami عضو سایت

    تاریخ عضویت:
    ‏14/9/11
    ارسال ها:
    48
    جنسیت:
    مرد
    محل سکونت:
    اصفهان
    امتیازات:
    +39 / 0 / -0
    نرم افزار:
    cubase, logic
    این تنظیم برای امپ
    Vox vt20+
    ---------------------
    Distorted Clean
    بیشتر برای سبک پست راک مناسبه

    تنظیمات دلخواه شما برای آمپ های مختلف-Capture.JPG

    - - - - - - - - - -

    آمپ : Vox VT20+
    برای : Gary Moore - Stil Got The Blues
    تن صدای گیتار ابریشم سربی گری مور فراموش نشدنی
    -------------------
    تنظیمات دلخواه شما برای آمپ های مختلف-Capture.JPG
     
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  6. jim root

    jim root عضو سایت

    تاریخ عضویت:
    ‏15/2/12
    ارسال ها:
    252
    محل سکونت:
    street
    امتیازات:
    +521 / 0 / -0
    نرم افزار:
    من با حرف های آقا سیا کاملا موافقم...
    اما منظورم از ساز های ژاپن همون مدل های پرستیژ بود که با اون فندر آمریکایی مقایسه شدن...
    من فک نمی کنم بهتره مطمنم ...البته به جز آیبانز های اساتید کبیر!
    گفتم از لحاظ صدا شاید معلوم نشه اما از لحاظ نوازندگی خیلی فرق داره تا دست نگیری نمی فهمی
    نمی شه منکر این شد که زادگاه الکتریک آمریکا بوده حالا هر چی این ژاپنی ها سعی کنن و پبکاپ و بریج طلا و انواع کارای تخیلی با قیمت های کم تر رو گیتاراشون بکنن
    بازم اون فندری که اریک کلپتون دست می گیره یا گیبسون گری مور نمی شه...
    به احساس و هنر مربوطه نه صرفا خروجی یه پیکاپ مسخره!

    - - - - - - - - - -

    من با حرف های آقا سیا کاملا موافقم...
    اما منظورم از ساز های ژاپن همون مدل های پرستیژ بود که با اون فندر آمریکایی مقایسه شدن...
    من فک نمی کنم بهتره مطمنم ...البته به جز آیبانز های اساتید کبیر!
    گفتم از لحاظ صدا شاید معلوم نشه اما از لحاظ نوازندگی خیلی فرق داره تا دست نگیری نمی فهمی
    نمی شه منکر این شد که زادگاه الکتریک آمریکا بوده حالا هر چی این ژاپنی ها سعی کنن و پبکاپ و بریج طلا و انواع کارای تخیلی با قیمت های کم تر رو گیتاراشون بکنن
    بازم اون فندری که اریک کلپتون دست می گیره یا گیبسون گری مور نمی شه...
    به احساس و هنر مربوطه نه صرفا خروجی یه پیکاپ مسخره!
     
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  7. dark-self

    dark-self عضو سایت

    تاریخ عضویت:
    ‏9/7/11
    ارسال ها:
    50
    محل سکونت:
    shz
    امتیازات:
    +35 / 0 / -0
    نرم افزار:
    دوستان صداي گيتار لمب آو گاد مخصوصا توي آلبوم آخرشون كسي ميدونه تنظيماتش چيه؟
     
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  8. pickup

    pickup عضو سایت

    تاریخ عضویت:
    ‏11/9/12
    ارسال ها:
    33
    امتیازات:
    +22 / 0 / -0
    لطفا اگه میشه تنظیمات آمپ Laney lx12 برای سبک متال بذارید.:smile (29)::smile (29)::smile (29):
     
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  9. *MATADOR*

    *MATADOR* عضو سایت

    تاریخ عضویت:
    ‏23/4/12
    ارسال ها:
    482
    محل سکونت:
    Every Where That I Like
    امتیازات:
    +748 / 0 / -0
    نرم افزار:
    دادا تنظیمات هر امپ با توجه به گیتار و افکت متفاوته و یکسان نیست
    و تنظیمات صدا کاملا اختیاری هستش و باید ببینی خودت چی دوست داری همونو درست کن.بعد اکثر اهنگ ها صداشون با هم فرق میکنه و متال هم خیلی زیر شاخه داره پس نمیشه تنظیماتی واسش در نظر گرفت که یکسان باشن
    بهترین کار همینه که با توجه به علاقت صدات رو بساز
     
    • خوشم اومد خوشم اومد x 1
  10. siyasiya

    siyasiya عضو سایت

    تاریخ عضویت:
    ‏23/2/10
    ارسال ها:
    377
    محل سکونت:
    IRAN
    امتیازات:
    +318 / 0 / -0
    نرم افزار:
    cubase, flstudio, soundforge
    دوست عزیز
    یک عکس از قسمت تنظیمات آمپ بذار تا بگم که چطوری میتونی صدای مورد علاقه ات رو بسازی.... اما معمولاً برای سبک متال باید حالت overdrive یا crunch و همینطور Bass صدا رو ببری بالا
    و middle و treble صدا رو بیاری پایین. معمولاً برای متال اینطوری جواب میده.
     
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  11. reeve

    reeve عضو سایت

    تاریخ عضویت:
    ‏21/10/11
    ارسال ها:
    13
    محل سکونت:
    گلپایگان
    امتیازات:
    +26 / 0 / -0
    نرم افزار:
    دوست عزیز شما تا حالا آیبانز s های دهه نود رو دست گرفتی؟

    - - - - - - - - - -

    امپ وکس vt50
    همه از 10
    gain:10
    master:10
    bass:7
    middle:5
    treble:9

    for thrash with SD blackouts
     
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  12. 0rm4zD

    0rm4zD عضو سایت

    تاریخ عضویت:
    ‏27/10/11
    ارسال ها:
    66
    محل سکونت:
    tehran
    امتیازات:
    +48 / 0 / -0
    نرم افزار:
    John Petrucci of Dream Theater
    1)Clean Channel:
    Preamp Mode: Rhythm 1 Yellow
    Gain: 6
    Treble: 6.5
    Middle: 3.5
    Bass: 3
    Lead 1 Drive: 0
    Lead 2 Drive: 0
    Master: 5.5
    Presence: 8
    Dynamic Voice: 7
    Power Amps set on Deep And Modern

    2)Main Distortion Channel:
    Preamp Mode: Lead 1 Red
    Gain: 6
    Treble: 6
    Middle: 6
    Bass: 4.5
    Lead 1 Drive: 4.5
    Lead 2 Drive: 0
    Master: 4
    Presence: 6.5
    Dynamic Voice: 6.5
    Power Amps set on Deep And Modern

    3)Lead Channel:
    Preamp Mode: Lead 2 Yellow (MarkII Lead Sound)
    Gain: 7.5
    Treble: 4.5
    Middle: 4
    Bass: 5.5
    Lead 1 Drive: 0
    Lead 2 Drive: 6.5 Master: 6
    Presence: 0
    Dynamic Voice: 3

    4)EFFECTS CHAIN:
    Clean Sound - basic chorus sound
    Lead Sound - 602 and 460 millisecond delay with 3 repeats
    Crunch - 26 milliseconds delay

    Jeff Loomis of Nevermore
    Pre Gain- 6-9
    Low- 4-7
    Mid- 5-7.
    High- 5-7
    Post Gain- 7-10.
    Presence- 5-7

    Tom Morello of Audioslave/Rage Against the Machine
    Gain - 7
    Treble - 10
    Mid - 4
    Bass - 4
    Reverb - 0

    Eric Clapton of Eric Clapton
    Gain - 7
    Teble - 5
    Mid - 7
    Bass - 7
    Presence - 8

    Mick Thompson of Slipknot
    Gain - 9-10
    Treble - 8
    Mid - 7
    Bass - 8
    Reverb - 2
    Note tuning of B F B E Gsharp Csharp (low to high)

    Jimmy Page of Led Zeppelin
    Gain - 4
    Treble - 8
    Mid - 3
    Bass - 7
    Reverb - 2

    Kurt Cobain of Nirvana
    Gain - 7
    Treble - 7
    Mid - 4
    Bass - 3
    Reverb - 2

    Eddie Van Halen of Van Halen
    Gain - 6
    Treble - 4
    Mid - 3
    Bass- 9
    Reverb - 4

    John Frusciante of Red Hot Chili Peppers
    Gain - 4
    Treble - 8
    Mid - 2
    Bass - 6
    Reverb - 7

    Kirk Hammet of Metallica
    Gain - 7
    Treble - 7
    Mid - 2
    Bass - 7
    Reverb - 2

    Keith Richards of Rolling Stones
    Gain - 4.5
    Treble - 4.5
    Mid - 6.5
    Bass - 5.5
    Reverb - 1.5
    Note use of open G tuning, D G D G B D (low to high)

    The Edge of U2
    Gain - 1.5
    Treble - 7
    Mid - 5
    Bass - 3
    Reverb - 8.5

    Brian May of Queen
    Gain - 8.5
    Treble - 4
    Mid - 9
    Bass - 5.5
    Reverb - 4
    Note Brian famously uses old sixpences to pick the strings of his guitar.

    Jack White of The White Stripes
    Gain - 8
    Treble - 7
    Mid - 5
    Bass - 8
    Prescence - 8

    Slash of Guns N' Roses
    Gain - 6.5
    Treble - 4.5
    Mid - 7
    Bass - 7
    Presence ? 8

    Justin Hawkins of The Darkness
    bass- 6
    treble-8
    mid-8
    gain-7
    reverb-5

    Dimebag Darrel of Pantera
    Gain - 7
    Treble - 10
    Mid - 4
    Bass - 9
    Reverb ? 0

    Billie Joe Armstrong (newer) of Green Day
    Drive - 6
    Treble - 10
    Mid - 8
    Bass - 5
    Reverb ? 3

    Billie Joe Armstrong (older) of Green Day
    Gain:9
    Treble:10
    Mid:8
    Bass:5
    Reverb:3

    Dave Murray of Iron Maiden
    Drive - 7
    Treble - 9
    Mid - 7
    Bass - 4
    Reverb - 0
    Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially


    Gary Moore of Thin Lizzy
    Bass 7
    Treble 7
    Mids 8-10
    Gain 5-7 depends on song
    Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
    maybe a splash of reverb
    Neck pickup

    Dave Grohl of Foo Fighters
    Distortion:8
    Treble:7
    Middle:5
    Bass:3
    Reverb:3 (room)

    Joe Walsh of Eagles
    Treble: 7
    Bass:3
    Mid: 4
    Master:3
    Reverb:2
    Presence:3

    Angus Young of AC/DC
    Gain - 5
    Treble - 10
    Mid - 10
    Bass - 5

    Gary Rossington of Lynyrd Skynyrd
    Treble - 5
    Mid - 10
    Bass - 5
    Gain - 2-3

    Mark Tremonti of Creed/Alter Bridge
    Gain:10
    Treb.:6
    Mid.:3 or 4
    Bass:7
    Presence:6

    Mike McCready of Pearl Jam
    Treble: 7
    Mid: 7
    Low: 5

    Daron Malakian of System of a Down
    Amp Used: Crate VFX5212
    Gain: 8
    Treble: 6-7
    Mids: 3-5
    Bass: 10
    Presence: 8
    Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)

    Tony Iommi of Black Sabbath
    Gain - 7 or 8
    Bass - 6
    Middle - 6
    Treble - 6
    Channel - Overdrive

    Mick Mars of Motley Crue
    Gain - 3
    Bass - 2-3
    Contour - 2-3
    Treble - 10
    Channel - Overdrive

    Steve Jones of Sex Pistols
    Gain- 7
    Volume- 10
    Treble- 8.5
    Middle- 6
    Bass- 4

    Alex Laiho of Children of Bodom
    Treble: 9
    Mid: 4
    Bass: 7
    Gain: 8
    Reverb: 4
    (on guitar)
    Tone: 10
    Pickup: Bridge

    David Gilmour of Pink Floyd
    Bass: 10
    Middle: 6.5
    Treble: 10
    Gain: 1.5
    or
    Gain-2-3
    Treble- 7-8
    Mids- 9-10
    Bass- 5-6
    Reverb- 60-70%

    Carlos Santana of Carlos Santana
    gain 7
    treble 10
    mid 6
    bass 5
    reverb 2

    Jerry Cantrell of Alice in Chains
    Gain 6-7
    Treble 6-7
    Mids 5-6
    Bass 5-6
    Reverb 3

    Joe Perry of Aerosmith
    Gain: 5.5
    Treble: 2
    Mid: 7
    Bass: 2
    Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)

    Pete Willis of Def Leppard
    Gain- 4
    Bass-4
    Mid- 5
    Treble-7
    Reverb-4

    Billy Gibbons of ZZ Top
    Treble: 3
    Middle: 10
    Bass: 10
    Prescense: 10
    Gain: about 5 (crunchy type of sound)
    Use a Les Paul guitar with not to much output in the pups and select both!

    Buckethead of Buckethead
    Bass: 5-6
    Mids: 5-7
    Treble: 7-8
    Presence: 6

    Boost clean channel with an OD
    Tone: 5-6
    Volume: 5-8 (have it boost the volume of the amp a little)
    Distortion: 0

    Randy Rhoads of Ozzy Osbourne
    Gain 7
    Bass 7
    Mids 7
    Treble 10
    Reverb 0

    Stevie Ray Vaughan of Stevie Ray Vaughan
    Low 10 (full)
    Mid 7.5
    High 5

    Steve Vai
    Clean:
    Treble: 8
    Mid: 5
    Bass: 4

    Lead:
    Presence: 6
    Treble: 6
    Mid: 7
    Bass: 7
    Gain: 8

    Kerry King of Slayer
    Gain - 9-10
    Treble - 10
    Mid - 4
    Bass - 6-7
    Reverb – 3

    Opeth
    Amp EQ settings:
    Mids: 4:30 o' clock
    High:10:30 o'clock
    Low: 7 (barely above 0)
    Presence: 0
    Resonance: 8(barely above 0)

    Drapery Falls Intro Tone(for Boss GT-6):
    Only things that are on are:
    -Reverb(set to 75)
    -Overdrive/Distortion(Metal>Heavy Metal Preset)
    -Overdrive/Distortion Drive and Level set to 100
    -Equalizer:
    Low EQ +1 dB
    Lo-Mid f 500Hz
    Lo-Mid Q 2
    Lo-Mid EQ +2 dB
    Hi-Mid f 4.00 kHz
    Hi-Mid Q 2
    Hi-Mid EQ +2 dB
    High EQ +2 dB
    Level +2 dB
    -Pedal Assign: Exp Pedal ON, Foot vol min 0
    Opeth Distortion:
    Only things switched on are:
    -Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation)
    -Overdrive/Distortion Drive and Level: 100
    -Reverb: 25
    -Pedal Assign: Exp Pedal ON, Foot vol min 0
    -MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION

    Graham Coxon of Blur
    Gain 7
    Treble 7
    Mid 6
    Bass 5
    Reverb 0

    Rush
    Gain - 6
    Bass - 8
    Mid - 6
    Treble – 4

    Neil Young
    Bass: 5
    Middle: 10
    Treble: 10
    Presence: 10
    Gain: 5

    Jimi Hendrix of Jimi Hendrix Experience
    Gain - 4
    Treble - 5
    Mid - 5
    Bass - 8
    Reverb - 5

    Joe Satriani
    1.) Gain 7
    Treble 6
    Mid 10
    Bass 6
    Reverb 1

    2.) gain: 7
    Treble: 6
    Middle: 3
    Bass: 6
    Reverb: 0 (Distortion)

    3.) Gain: 6
    Treble: 7
    Bass: 9
    Mids:0

    Wolfmother
    Gain: 7
    Bass: 6
    Mid: 6
    Treble: 4
    Reverb: 2

    Dave Mustaine of Megadeth
    Gain 10
    Bass 4
    Contour 10
    Treble 10

    Matt Heafy of Trivium
    Treble- 8.5
    Mid-6.5
    Bass-6
    Gain-7.5
    Reverb-none

    Daron Malakian of System Of A Down (newer)
    Pre-Amp: 7
    Gain: 5
    Trebble: 8
    Mid:9
    Bass: 7.5
    Presence: 9

    Killswitch Engage
    Reverb:4
    Bass:6
    Mid:6
    Treble:4 or 7 depending on song.
    Gain:8

    Random Speed/Power metal settings:
    Gain: 4
    Bass: 4
    Mid: 8
    Treble: 4
    Reverb: 3

    Gain: 7
    Bass: 8
    Mid: 3
    Treble: 7
    Reverb: 3

    Hank Marvin of The Shadows
    Gain - 2
    Treble - 6
    Mid - 9
    Bass - 9
    Reverb - 10

    Pete Townshend of The Who
    Gain: 5
    Treble: 10
    Middle: 10
    Bass: 10
    Reverb: 3

    Cradle Of Filth
    Gain: 10
    Bass: 10
    Mids: 1
    Treble: 10
    Volume: 10

    Boston settings
    Gain - 5
    Treble - 5
    Mid - 10
    Bass - 3
    Reverb - 0

    Rammstein
    Bass: 9-10
    Mids: 4-5
    Treble: 9-10
    Gain: 10

    Phish- Chalkdust torture
    Gain:6
    Bass:8
    Mid:7
    treble:4
    reverb:3

    Dez Cadena of The Misfits
    Gain: 9
    Bass: 9.5
    Mid: 6
    Treble: 5
    Post gain: 5

    Zakk Wylde of Black Label Society
    Preamp: 10
    Volume: 4-6
    Bass: 10
    Middle: 4-6
    Treble: 4-6
    Presence: 2

    John Squire of The Stone Roses
    Gain 7
    Bass 7
    Mids 7
    Treble 3
    Reverb 5

    Andy Summers of The Police
    Gain 5
    Bass 7
    Mids 5
    Treble 5
    Reverb 5

    Paul Weller
    Gain 7
    Bass 10
    Mids 10
    Treble 10
    Reverb 3

    Strapping Young Lad
    Gain 7
    Bass 8
    Mids 6
    Treble 7
    Reverb 0

    Darkest Hour
    Gain-6
    Bass-7-8
    Middle-7
    Treble-5
    Presence-7

    Allan Holdswoth
    Gain: 2 o'clock
    Treble: 2 o'clock
    Middle: 2 o'clock
    Bass: 0
    Presence: 10 o'clock

    Brendon Small of Dethklok
    Gain- 8-9
    Treb-5-6
    Mid-6
    Bass-8

    Jeff Beck
    Gain - 10
    Bass - 6
    Mid - 5
    Treble - 7
    Reverb - 4

    Tool
    Bass: 4
    Mid: 4
    Treble: 8
    Gain: 7.5

    Testament
    Bass- 6-7
    Mids- 2-3
    Treble- 4
    Presence- 7-8
    Gain- 5-7

    John 5
    Gain- 3-5
    Bass-10
    Mids-4
    Treble- 8

    Savatage
    Gain 9
    Treb 6
    Mid 2
    Bass 5
    Presence 6

    Thurston Moore of Sonic Youth
    Gain 6
    Treble 8
    Mid 3-4
    Bass 6

    Radiohead - My Iron Lung
    Drive: 10
    Treble: 6
    Middle: 7
    Bass: 6
    Reverb: 3

    Herman Li of Dragonforce
    gain- 10
    bass- 8
    mid- 5
    treble 7

    Yngwie Malmsteen
    Bass 5-7
    Mid 2-5
    Treble 6-8
    Presence 4-6
    Volume 10

    Paul Gilbert of Racer-X
    Gain 7
    Bass 7
    Mid 5
    Treble 7

    Misery Signals
    Distortion channel
    gain-5
    bass-6
    mid-5
    treble-6
    resonance-5
    presence-6

    clean
    gain-2 or 3
    bass-8
    mid-5
    treble-4
    resonance-8
    presence-3

    Norma Jean
    gain:7-8
    bass:7
    mid:4
    treble:6

    Queens Of The Stone Age
    Gain: 7
    Treble: 3
    Mid: 8
    Bass: 6
    Reverb: 0

    George Thorogood
    Drive: 6.5
    Bass: 2.5
    Mids: 7
    Treble: 8
    Chan. Vol.: 7.5

    Slash of Velvet Revolver
    Gain: 5-7
    Treble: 4-6
    Mid: 7-8
    Bass: 6-8

    - - - - - - - - - -


    John Petrucci of Dream Theater
    1)Clean Channel:
    Preamp Mode: Rhythm 1 Yellow
    Gain: 6
    Treble: 6.5
    Middle: 3.5
    Bass: 3
    Lead 1 Drive: 0
    Lead 2 Drive: 0
    Master: 5.5
    Presence: 8
    Dynamic Voice: 7
    Power Amps set on Deep And Modern

    2)Main Distortion Channel:
    Preamp Mode: Lead 1 Red
    Gain: 6
    Treble: 6
    Middle: 6
    Bass: 4.5
    Lead 1 Drive: 4.5
    Lead 2 Drive: 0
    Master: 4
    Presence: 6.5
    Dynamic Voice: 6.5
    Power Amps set on Deep And Modern

    3)Lead Channel:
    Preamp Mode: Lead 2 Yellow (MarkII Lead Sound)
    Gain: 7.5
    Treble: 4.5
    Middle: 4
    Bass: 5.5
    Lead 1 Drive: 0
    Lead 2 Drive: 6.5 Master: 6
    Presence: 0
    Dynamic Voice: 3

    4)EFFECTS CHAIN:
    Clean Sound - basic chorus sound
    Lead Sound - 602 and 460 millisecond delay with 3 repeats
    Crunch - 26 milliseconds delay

    Jeff Loomis of Nevermore
    Pre Gain- 6-9
    Low- 4-7
    Mid- 5-7.
    High- 5-7
    Post Gain- 7-10.
    Presence- 5-7

    Tom Morello of Audioslave/Rage Against the Machine
    Gain - 7
    Treble - 10
    Mid - 4
    Bass - 4
    Reverb - 0

    Eric Clapton of Eric Clapton
    Gain - 7
    Teble - 5
    Mid - 7
    Bass - 7
    Presence - 8

    Mick Thompson of Slipknot
    Gain - 9-10
    Treble - 8
    Mid - 7
    Bass - 8
    Reverb - 2
    Note tuning of B F B E Gsharp Csharp (low to high)

    Jimmy Page of Led Zeppelin
    Gain - 4
    Treble - 8
    Mid - 3
    Bass - 7
    Reverb - 2

    Kurt Cobain of Nirvana
    Gain - 7
    Treble - 7
    Mid - 4
    Bass - 3
    Reverb - 2

    Eddie Van Halen of Van Halen
    Gain - 6
    Treble - 4
    Mid - 3
    Bass- 9
    Reverb - 4

    John Frusciante of Red Hot Chili Peppers
    Gain - 4
    Treble - 8
    Mid - 2
    Bass - 6
    Reverb - 7

    Kirk Hammet of Metallica
    Gain - 7
    Treble - 7
    Mid - 2
    Bass - 7
    Reverb - 2

    Keith Richards of Rolling Stones
    Gain - 4.5
    Treble - 4.5
    Mid - 6.5
    Bass - 5.5
    Reverb - 1.5
    Note use of open G tuning, D G D G B D (low to high)

    The Edge of U2
    Gain - 1.5
    Treble - 7
    Mid - 5
    Bass - 3
    Reverb - 8.5

    Brian May of Queen
    Gain - 8.5
    Treble - 4
    Mid - 9
    Bass - 5.5
    Reverb - 4
    Note Brian famously uses old sixpences to pick the strings of his guitar.

    Jack White of The White Stripes
    Gain - 8
    Treble - 7
    Mid - 5
    Bass - 8
    Prescence - 8

    Slash of Guns N' Roses
    Gain - 6.5
    Treble - 4.5
    Mid - 7
    Bass - 7
    Presence ? 8

    Justin Hawkins of The Darkness
    bass- 6
    treble-8
    mid-8
    gain-7
    reverb-5

    Dimebag Darrel of Pantera
    Gain - 7
    Treble - 10
    Mid - 4
    Bass - 9
    Reverb ? 0

    Billie Joe Armstrong (newer) of Green Day
    Drive - 6
    Treble - 10
    Mid - 8
    Bass - 5
    Reverb ? 3

    Billie Joe Armstrong (older) of Green Day
    Gain:9
    Treble:10
    Mid:8
    Bass:5
    Reverb:3

    Dave Murray of Iron Maiden
    Drive - 7
    Treble - 9
    Mid - 7
    Bass - 4
    Reverb - 0
    Use your brigde humbucker - I find this tone to be excellent for Maiden - The Trooper, Hallowed especially


    Gary Moore of Thin Lizzy
    Bass 7
    Treble 7
    Mids 8-10
    Gain 5-7 depends on song
    Coutour at 3-4 not so high to suck the mids but not os low to sound crappy
    maybe a splash of reverb
    Neck pickup

    Dave Grohl of Foo Fighters
    Distortion:8
    Treble:7
    Middle:5
    Bass:3
    Reverb:3 (room)

    Joe Walsh of Eagles
    Treble: 7
    Bass:3
    Mid: 4
    Master:3
    Reverb:2
    Presence:3

    Angus Young of AC/DC
    Gain - 5
    Treble - 10
    Mid - 10
    Bass - 5

    Gary Rossington of Lynyrd Skynyrd
    Treble - 5
    Mid - 10
    Bass - 5
    Gain - 2-3

    Mark Tremonti of Creed/Alter Bridge
    Gain:10
    Treb.:6
    Mid.:3 or 4
    Bass:7
    Presence:6

    Mike McCready of Pearl Jam
    Treble: 7
    Mid: 7
    Low: 5

    Daron Malakian of System of a Down
    Amp Used: Crate VFX5212
    Gain: 8
    Treble: 6-7
    Mids: 3-5
    Bass: 10
    Presence: 8
    Note the use of Drop D down 1/2 step (Db Ab Db Gb Bb Eb)

    Tony Iommi of Black Sabbath
    Gain - 7 or 8
    Bass - 6
    Middle - 6
    Treble - 6
    Channel - Overdrive

    Mick Mars of Motley Crue
    Gain - 3
    Bass - 2-3
    Contour - 2-3
    Treble - 10
    Channel - Overdrive

    Steve Jones of Sex Pistols
    Gain- 7
    Volume- 10
    Treble- 8.5
    Middle- 6
    Bass- 4

    Alex Laiho of Children of Bodom
    Treble: 9
    Mid: 4
    Bass: 7
    Gain: 8
    Reverb: 4
    (on guitar)
    Tone: 10
    Pickup: Bridge

    David Gilmour of Pink Floyd
    Bass: 10
    Middle: 6.5
    Treble: 10
    Gain: 1.5
    or
    Gain-2-3
    Treble- 7-8
    Mids- 9-10
    Bass- 5-6
    Reverb- 60-70%

    Carlos Santana of Carlos Santana
    gain 7
    treble 10
    mid 6
    bass 5
    reverb 2

    Jerry Cantrell of Alice in Chains
    Gain 6-7
    Treble 6-7
    Mids 5-6
    Bass 5-6
    Reverb 3

    Joe Perry of Aerosmith
    Gain: 5.5
    Treble: 2
    Mid: 7
    Bass: 2
    Volume: Full (used Fenders in the early days and switched to music Man during the Toys era, now uses a mixture)

    Pete Willis of Def Leppard
    Gain- 4
    Bass-4
    Mid- 5
    Treble-7
    Reverb-4

    Billy Gibbons of ZZ Top
    Treble: 3
    Middle: 10
    Bass: 10
    Prescense: 10
    Gain: about 5 (crunchy type of sound)
    Use a Les Paul guitar with not to much output in the pups and select both!

    Buckethead of Buckethead
    Bass: 5-6
    Mids: 5-7
    Treble: 7-8
    Presence: 6

    Boost clean channel with an OD
    Tone: 5-6
    Volume: 5-8 (have it boost the volume of the amp a little)
    Distortion: 0

    Randy Rhoads of Ozzy Osbourne
    Gain 7
    Bass 7
    Mids 7
    Treble 10
    Reverb 0

    Stevie Ray Vaughan of Stevie Ray Vaughan
    Low 10 (full)
    Mid 7.5
    High 5

    Steve Vai
    Clean:
    Treble: 8
    Mid: 5
    Bass: 4

    Lead:
    Presence: 6
    Treble: 6
    Mid: 7
    Bass: 7
    Gain: 8

    Kerry King of Slayer
    Gain - 9-10
    Treble - 10
    Mid - 4
    Bass - 6-7
    Reverb – 3

    Opeth
    Amp EQ settings:
    Mids: 4:30 o' clock
    High:10:30 o'clock
    Low: 7 (barely above 0)
    Presence: 0
    Resonance: 8(barely above 0)

    Drapery Falls Intro Tone(for Boss GT-6):
    Only things that are on are:
    -Reverb(set to 75)
    -Overdrive/Distortion(Metal>Heavy Metal Preset)
    -Overdrive/Distortion Drive and Level set to 100
    -Equalizer:
    Low EQ +1 dB
    Lo-Mid f 500Hz
    Lo-Mid Q 2
    Lo-Mid EQ +2 dB
    Hi-Mid f 4.00 kHz
    Hi-Mid Q 2
    Hi-Mid EQ +2 dB
    High EQ +2 dB
    Level +2 dB
    -Pedal Assign: Exp Pedal ON, Foot vol min 0
    Opeth Distortion:
    Only things switched on are:
    -Overdrive/Distortion TYPE: Metal>Heavy Metal(type variation)
    -Overdrive/Distortion Drive and Level: 100
    -Reverb: 25
    -Pedal Assign: Exp Pedal ON, Foot vol min 0
    -MAKE SURE YOU USE RHYTHM PICKUP FOR THIS DISTORTION

    Graham Coxon of Blur
    Gain 7
    Treble 7
    Mid 6
    Bass 5
    Reverb 0

    Rush
    Gain - 6
    Bass - 8
    Mid - 6
    Treble – 4

    Neil Young
    Bass: 5
    Middle: 10
    Treble: 10
    Presence: 10
    Gain: 5

    Jimi Hendrix of Jimi Hendrix Experience
    Gain - 4
    Treble - 5
    Mid - 5
    Bass - 8
    Reverb - 5

    Joe Satriani
    1.) Gain 7
    Treble 6
    Mid 10
    Bass 6
    Reverb 1

    2.) gain: 7
    Treble: 6
    Middle: 3
    Bass: 6
    Reverb: 0 (Distortion)

    3.) Gain: 6
    Treble: 7
    Bass: 9
    Mids:0

    Wolfmother
    Gain: 7
    Bass: 6
    Mid: 6
    Treble: 4
    Reverb: 2

    Dave Mustaine of Megadeth
    Gain 10
    Bass 4
    Contour 10
    Treble 10

    Matt Heafy of Trivium
    Treble- 8.5
    Mid-6.5
    Bass-6
    Gain-7.5
    Reverb-none

    Daron Malakian of System Of A Down (newer)
    Pre-Amp: 7
    Gain: 5
    Trebble: 8
    Mid:9
    Bass: 7.5
    Presence: 9

    Killswitch Engage
    Reverb:4
    Bass:6
    Mid:6
    Treble:4 or 7 depending on song.
    Gain:8

    Random Speed/Power metal settings:
    Gain: 4
    Bass: 4
    Mid: 8
    Treble: 4
    Reverb: 3

    Gain: 7
    Bass: 8
    Mid: 3
    Treble: 7
    Reverb: 3

    Hank Marvin of The Shadows
    Gain - 2
    Treble - 6
    Mid - 9
    Bass - 9
    Reverb - 10

    Pete Townshend of The Who
    Gain: 5
    Treble: 10
    Middle: 10
    Bass: 10
    Reverb: 3

    Cradle Of Filth
    Gain: 10
    Bass: 10
    Mids: 1
    Treble: 10
    Volume: 10

    Boston settings
    Gain - 5
    Treble - 5
    Mid - 10
    Bass - 3
    Reverb - 0

    Rammstein
    Bass: 9-10
    Mids: 4-5
    Treble: 9-10
    Gain: 10

    Phish- Chalkdust torture
    Gain:6
    Bass:8
    Mid:7
    treble:4
    reverb:3

    Dez Cadena of The Misfits
    Gain: 9
    Bass: 9.5
    Mid: 6
    Treble: 5
    Post gain: 5

    Zakk Wylde of Black Label Society
    Preamp: 10
    Volume: 4-6
    Bass: 10
    Middle: 4-6
    Treble: 4-6
    Presence: 2

    John Squire of The Stone Roses
    Gain 7
    Bass 7
    Mids 7
    Treble 3
    Reverb 5

    Andy Summers of The Police
    Gain 5
    Bass 7
    Mids 5
    Treble 5
    Reverb 5

    Paul Weller
    Gain 7
    Bass 10
    Mids 10
    Treble 10
    Reverb 3

    Strapping Young Lad
    Gain 7
    Bass 8
    Mids 6
    Treble 7
    Reverb 0

    Darkest Hour
    Gain-6
    Bass-7-8
    Middle-7
    Treble-5
    Presence-7

    Allan Holdswoth
    Gain: 2 o'clock
    Treble: 2 o'clock
    Middle: 2 o'clock
    Bass: 0
    Presence: 10 o'clock

    Brendon Small of Dethklok
    Gain- 8-9
    Treb-5-6
    Mid-6
    Bass-8

    Jeff Beck
    Gain - 10
    Bass - 6
    Mid - 5
    Treble - 7
    Reverb - 4

    Tool
    Bass: 4
    Mid: 4
    Treble: 8
    Gain: 7.5

    Testament
    Bass- 6-7
    Mids- 2-3
    Treble- 4
    Presence- 7-8
    Gain- 5-7

    John 5
    Gain- 3-5
    Bass-10
    Mids-4
    Treble- 8

    Savatage
    Gain 9
    Treb 6
    Mid 2
    Bass 5
    Presence 6

    Thurston Moore of Sonic Youth
    Gain 6
    Treble 8
    Mid 3-4
    Bass 6

    Radiohead - My Iron Lung
    Drive: 10
    Treble: 6
    Middle: 7
    Bass: 6
    Reverb: 3

    Herman Li of Dragonforce
    gain- 10
    bass- 8
    mid- 5
    treble 7

    Yngwie Malmsteen
    Bass 5-7
    Mid 2-5
    Treble 6-8
    Presence 4-6
    Volume 10

    Paul Gilbert of Racer-X
    Gain 7
    Bass 7
    Mid 5
    Treble 7

    Misery Signals
    Distortion channel
    gain-5
    bass-6
    mid-5
    treble-6
    resonance-5
    presence-6

    clean
    gain-2 or 3
    bass-8
    mid-5
    treble-4
    resonance-8
    presence-3

    Norma Jean
    gain:7-8
    bass:7
    mid:4
    treble:6

    Queens Of The Stone Age
    Gain: 7
    Treble: 3
    Mid: 8
    Bass: 6
    Reverb: 0

    George Thorogood
    Drive: 6.5
    Bass: 2.5
    Mids: 7
    Treble: 8
    Chan. Vol.: 7.5

    Slash of Velvet Revolver
    Gain: 5-7
    Treble: 4-6
    Mid: 7-8
    Bass: 6-8
     
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  13. az_10s

    az_10s عضو سایت

    تاریخ عضویت:
    ‏23/8/11
    ارسال ها:
    115
    محل سکونت:
    تهرانسر
    امتیازات:
    +18 / 0 / -0
    نرم افزار:
    راستش باید بگم خیلی از اینا روی امپای مارشال بودن
    برای همون مدل امپ اینا استفاده میشه ولی وقتی بیای مدلای دیگه از کمپانی دیگه گین و مستر ولوم و....
    یکم فرق میکنه
    داداش تاپیکو ترکوندیا
    قشنگ بود
    برا اسلش تو تور use your illuision
    presence 0---2
    treble0----4
    middle 5-----7
    bass4---7
    master+lead volume دلخواه
    رو چه امپی؟
    2555
     
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